Edition 2014

Alain Lefebvre & Sonya Stefan ^QC / Archie Pelago ^US / Atheus ^QC / Audion ^US / Automatisme ^QC / Bataille Solaire ^QC / Ben Frost ^AU/IS / Chat Noir ^QC / Chris Hreno ^CA / Citofono ^QC / Dinos Chapman ^UK / Donato Dozzy ^IL / Egyptrixx ^CA / Elektro Guzzi ^AT / Fake Electronics ^QC / Fluxion ^GR / France Jobin ^QC / Guillaume & The Coutu Dumonts ^CA / Harmonious Thelonious ^DE / Heatsick ^UK / Herman Kolgen ^QC / Holly Herndon ^US / Hooll ^QC / Intercity-Express & Synichi Yamamoto ^JP / Iron Galaxy ^QC / Jean-Sébastien Truchy & Charles Barabé ^QC / Jesse Osborne-Lanthier & Grischa Lichtenberger ^QC/DE / Jonas Reinhardt ^US / JTC ^US / Kangding Ray ^FR / Le Fruit Vert ^QC / Lee Bannon ^US / LL (Vertigo Inc.) ^QC / Lucrecia Dalt ^ES / Magic Mountain High ^DE/NL / Magnanime ^QC / Mantra Percussion ^US / Marc Houle ^CA / Marie Davidson ^QC / Markus FloatS ^QC / Matt Thibideau & Markus Heckmann ^CA / Matthew Biederman + 4X ^QC / Matthew Hawtin ^CA / Max Cooper ^UK / Metametric ^QC/FR / Mike Shanon ^QC / Millimetrik ^QC / Move D ^DE / Neel ^IT / Nicolas Bernier & Martin Messier ^QC / Nicolas Jaar ^CL/US / Nonotak ^FR / Ohm Hourani ^QC / Oneohtrix Point Never ^US / P.E.A. | Projet Électro-Acrylique ^QC / Paul Prudence ^UK / Pinch ^UK / Prison Garde ^QC / Processor ^CA / Rashad Becker ^DE / Ricardo Villalobos ^CL / Ricardo Villalobos & Max Loderbauer ^CL/DE / Richie Hawtin ^CA / Robert Henke ^DE / Robert Lippok ^DE / Sapin ^QC / Savan ^CO / Secret Pyramid ^CA / Segue ^CA / Shackleton ^UK / Stefan / Goldmann ^DE / The Durian Brothers ^DE / The Mole ^CA / Tim Hecker ^QC / TM404 ^SE / Todor Todoroff & Laura Colmenares-Guerra ^BE / Tom Trago ^NL / Velvet Glacier ^QC / Voices From The Lake ^IT / WNDFRM ^CA / Woulg ^QC / Xavier Lebuis ^QC / Xavier Leon ^QC / Yosi Horikawa ^JP

VJ Radiance
The Space Between Us

The Space Between Us Artist Statement: During 2012 and 2013 as I was travelling throughout Europe, the landscape began to speak to me. . Arriving in Tallinn, Estonia to undertake a visual arts residency at Polymer Culture Factory I noticed that the geography was very different to that of my home country Australia and I was inspired to explore it. Walking was my way to engage with the landscape and became meditative— a space for reflection. I pondered the real and imagined distances between locations and also the emotional space and proximity between people separated by geography. My walks became both physical and psychological journeys. With my camera in hand I processed my surroundings, making meaning from my experiences and engaging with the new environment. I was interested in exploring ways to document and combine performance art and actions of physical endurance with digital media and live video. The way in which people navigate the physical landscape has been greatly impacted by new technology with printed maps diminishing to be replaced by screen-based maps. Maps are powerful tools of communication which show a point of view or inspire a journey in a particular environment. As universal instruments they can guide us not only from one destination to the next but provide a unique perspective on the world, selecting information and ‘framing’ the space presenting it in scale. In this work I have used the triangle as a motif to depict the journey from one destination to the next - A to B to C. The geography of a place is mapped through personal experiences, using macro and aerial footage to represent multiple perspectives and ways of understanding In Tallinn, Estonia I felt separated from loved ones by geographical distance. Digital media such as skype, email, facebook make people feel like they are closer through creating the illusion of closeness. It enables us to connect regardless of our physical locations. However it does not replace human interaction and intimacy.

Françoise Provencher
Figés

One instant, individual molecules are randomly floating in the solvent, invisible. The next, they self assemble into large crystals, luminous forms emerging from the dark void. This audiovisual work captures the sense of wonder one has upon looking through a microscope, a witness to this crucial moment between nothingness and being. It bridges the artist's multifaceted occupations : physicist, electroacoustic composer and DIY filmmaker. This work is situated at the interface of nano-science and contemporary art, as it presents images of crystallizing self-assembling molecules used in cutting-edge organic electronics applications. The spectacular birth of these organized structures is captured in real-time by a camera affixed to a cross-polarized microscope. The music aims to make the crystallization phenomenon larger than life. This work is constantly sublimating the objects to see or the phenomena to hear to make them tumble into another dimension, less purely acoustic and more musical, more poetic.

Anne-Sophie Mongeau
Crystalline Space

Crystalline Space tente de représenter l'espace en son et en images. La texture cristalline des structures présentées dans cette vidéomusique permet de mettre en valeur la profondeur ainsi que l'espace occupé par l'objet dans un unviers en trois dimensions, du point de vue tant de la hauteur, de la largeur, que de la profondeur et même de son évoution au cours du temps. La musique a été composée en programmation en langage Python, de façon à intégrer une part d'aléatoire dans l'évolution des paysages sonores, grâce à différents types d'algorithmes.

Hugues Clément
Gleam

Coexistence entre formes/mouvements organiques et interventions graphiques, le tout connecté au son. Inspiration provenant des cavernes et cristaux.

Ferenc Stenton
Refraction Interface

Created solely with the use of practical in-camera effects, such as audio driven projections as the light source and broken prisms, "Refraction Interface" creates a foreign world where scale and depth are impossible to calculate.